THE WELL-BALANCED PIANIST
The Integrated Approach
Dr. Teresa Dybvig, Director

Full Program
One-day Program
Registration info
Travel, Meals & Accommodation
Instructors
Contact
PA 2011 home
WBP home

Read testimonials of all sorts!


Visit our online scrapbooks!
2011 ·2010 ·2009
2008 ·2007 · 2006


Check out The Well-Balanced Pianist on video!

 

 

 

Pennsylvania 2011
Focus on interpretation

Full Program

The full program takes place
        From:      Saturday, October 8 (9:00 am)
        Through:  Monday, October 10 (1:00 pm)

This will be 2½ days of supportive interaction among all of us. For more detailed information about The Well-Balanced Pianist programs, please visit www.WellBalancedPianist.com.

Click here to see a sample schedule

Click here to view clinics for this session

Each participant will experience:

  1. Two half-hour lessons with Teresa Dybvig or Susan Nowicki
    • Because it's a short program, we will not have partner groups. However, all private lessons will be open for observation. If any of the participants choose to practice together, wonderful!
    • You choose what to work on during your lesson.
    • You are invited (urged, even) to attend as many lessons as your concentratation allows, unless the student specifies otherwise.
    • You will have all your lessons with one teacher.
  2. One 1½ hour clinic on October 8, your choice of Basic Movements or Rotation for Changing Direction (descriptions below). We introduce these concepts and work with each participant in these skill-based clinics, showing people how to coach one another when appropriate.
  3. One 1½ hour clinic on October 9, Expressive elements in music from the 17th through early 20th centuries (description below)
  4. One 1½ hour session on Alexander Technique for pianists led by Ariel Weiss
  5. We encourage you to take advantage of optional private sessions in Alexander Technique (30 minute session for $45), taught by Ariel Weiss, available on Sunday only. You can arrange your private session in advance when you register. Payment for private sessions in Alexander Technique is due at check-in on October 8. These sessions are in great demand. If you would like a private Alexander session, we suggest you register early.
  6. One class on the rhythm method O Passo, led by Thomas Mullaney. If you have a rhythmically challenging passage on a piece you're playing in the fall, here's your chance to do some creative problem solving.
  7. Opening remarks; Teresa Dybvig and Susan Nowicki share their thoughts on interpretation.
  8. One interpretation class on Monday, led by Teresa Dybvig and Susan Nowicki. Please let us know at registration if you would like to play for this.
  9. An hour of recreational ensemble music on Monday morning. We'll help you find the right partners and music!
  10. Mealtime discussions about mental attitude in practice and performance.
  11. Our final class will be your choice of run-throughs or coachings.
  12. Practice time will be available to everyone.
  13. The option of participating in a SPECIAL OUTING, dinner at Stella Sera. This new restaurant is getting great reviews, and when you check out its scrumptious menu you won't be able to resist! Of course the company will be fantastic too.

Clinic choices for Saturday, October 8: (Select one at registration.)

Alignment and Balance. This ciinic is for participants who are new to us. The two foundations of excellent piano technique are often overlooked, even though healthy movement cannot occur without good alignment and balance. Susan Nowicki will articulate some guidelines for feeling and showing optimal alignment and balance.

Rotation for changing direction. This clinic is for returning participants. Teresa Dybvig will draw from her experience with Dorothy Taubman's approach to piano technique to coach you in this fundamental element, for scale crosses, moving from the thumb, moving from 5, and other changes of direction.


Clinic for Sunday, October 9:

Expressive elements in in music from the 17th through early 20th centuries. Teresa Dybvig and Susan Nowicki will talk about expressive elements in keyboard music of different eras, relating elements to the keyboards the composers played. If you would like to try some of your music on a harpsichord, fortepiano, or even explore expressive possibilities of a Steinway, this is your chance!


The Schedule
Check-in begins at 8:30 am on Saturday, October 8. The program will open at 9 am with some thoughts on interpretation. Then our O Passo class will get us listening and moving to a beat in our bodies. Clinics and private lessons will follow. We will work Saturday and Sunday from 9 am to 6:30 pm, and Monday from 9 am to 1 pm.

A Sample Day's Schedule:
9:00 am - 10:30 am Class on Alexander Technique for the piano
10:30 am - 12 noon Lessons (with observation) and practice
12 noon - 1:30 pm Lunch, with discussion about practice mindset
1:30 pm - 4:00 pm Lessons (with observation) and practice
4:00 pm - 5:00 pm Walk
5:00 pm - 6:30 Clinic on expressive elements
7:00 pm Dinner at Stella Sera

Full Program One-day Program Instructors Registration info Travel, Meals & Accommodation

Would you like to read some great reasons to attend The Well-Balanced Pianist? See what past participants have to say.

Note: No previous experience in the Taubman approach or Alexander Technique is necessary for participation in this program.


Students say

"Susan Nowicki is a superb musician and teacher. I worked with her retraining at the piano for about two years and found that her knowledge of the principals of the Taubman technique is deep and her ability to translate these principals into practical, technical movements at the piano remarkable. She combines an organized, patient approach to learning these complex yet essential movements with a deep sense of the music being addressed and the practical experiences of a seasoned performing artist. Susan was the essential hand which brought me through new stages of control at the piano, when uncertainty, and fear threatened to stagnate my developing new skills. I recommend her as a teacher without reservation."
—Adrienne Sirken, Pianist and Educator

"I gained a tremendous amount of kinesthetic awareness of my body in its orientation to the piano from my studies with Ariel Weiss. Her keen and specific direction and focused determination to help me do what I love doing the most has helped me play with more facility and unhampered energy. It was a great honor to work with her, and I have the highest praise for the artistry with which she does her essentially life-changing work."
— Amy Yang
Pianist, graduate student at The Yale School of Music, graduates of The Curtis Institute of Music and The Juilliard School

"Before studying with Teresa Dybvig, I had studied with several prominent teachers of the Taubman Technique for nine years. Although I made some progress, it was not until I started studying with Terry that my technique finally came together... Terry helped me regain my proper posture and hand shape... Terry not only was able to balance my body; her focus is always on musical expression. She has a unique gift of balancing the teaching of technical skills with the expression of music. I am finally beginning to be where I want to be in my piano playing. I am convinced that this is due to Terry's high quality teaching."
— Thomas B. Stuart
Accompanist and Collaborative Pianist

Read quotes from anonymous evaluations!



Copyright © 2010 Teresa Dybvig