| Check out
The Well-Balanced Pianist on
video! |
|
Pennsylvania 2011 Focus on
interpretation
One-day programs
Please note: Priority is given to Full Program
registrants who register by September 1. If the program is not yet filled,
registration for those wishing to attend either Saturday or Sunday will be
available starting September 2.
You may attend Either: Saturday, October 8 (9:00 - 6:30 pm)
Or:
Sunday, October 9 (9:00 - 6:30 pm)
This will be a full day of supportive
interaction among all of us. For more detailed information about The
Well-Balanced Pianist programs, please visit www.WellBalancedPianist.com.
Sample
schedule
Saturday, October
8:
- One half-hour lesson
with Teresa Dybvig or Susan Nowicki
- Because it's a short
program, we will not have partner groups. However, all private lessons will be
open for observation. If any of the participants choose to practice together,
wonderful!
- You choose what to
work on during your lesson.
- You are invited
(urged, even) to attend as many lessons as your concentratation allows, unless
the student specifies otherwise.
- One class on the rhythm
method O
Passo, led by Thomas Mullaney. If you have a
rhythmically challenging passage on a piece you're playing in the fall, here's
your chance to do some creative problem solving.
- Mealtime discussion
about mindset for practice and performance.
- Practice time will be
available to everyone.
- One 1½ hour
clinic, your choice of Rotation for changing direction, or Alignment
and Balance (descriptions below). We introduce
these concepts and work with each participant in these skill-based clinics,
showing people how to coach one another.
- Dinner together, soup
and salad.
Clinic choices for Saturday, October
8: (Select one at registration.)
Alignment and
Balance. This ciinic is for participants who are new to us. The two
foundations of excellent piano technique are often overlooked, even though
healthy movement cannot occur without good alignment and balance. Susan Nowicki
will articulate some guidelines for feeling and showing optimal alignment and
balance.
Rotation for changing direction.
This clinic is for returning participants. Teresa Dybvig will draw from her
experience with Dorothy Taubman's approach to piano
technique to coach you in this fundamental element, for scale crosses,
moving from the thumb, moving from 5, and other changes of
direction. Sunday, October 9:
- One half-hour lesson
with Teresa Dybvig or Susan Nowicki
- Because it's a short
program, we will not have partner groups. However, all private lessons will be
open for observation. If any of the participants choose to practice together,
wonderful!
- You choose what to
work on during your lesson.
- You are invited
(urged, even) to attend as many lessons as your concentratation allows, unless
the student specifies otherwise.
- One 1½ hour
Alexander Technique class, taught by Ariel
Weiss.
- We encourage you to take
advantage of separate private sessions in Alexander Technique (30 minute
session for $45), taught by Ariel Weiss. You can
arrange your private session in advance when you register. Payment for private
sessions in Alexander Technique is due at check-in on October 10.
- One 1½ hour
clinic, Expressive elements in music from the 17th through early 20th
centuries (description below).
- Mealtime discussion
about mindset for practice and performance.
- Practice time will be
available to everyone.
- The option of
participating in a SPECIAL OUTING, dinner
at Stella Sera. This new restaurant is getting
great
reviews, and when you check out its
scrumptious
menu you won't be able to resist! Of course the company will be fantastic
too.
Clinic for Sunday, October 9:
Expressive elements in music from
the 17th through early 20th centuries. Teresa Dybvig and Susan Nowicki will
talk about expressive elements in keyboard music of different eras, relating
elements to the keyboards the composers played. If you would like to try some
of your music on a harpsichord, fortepiano, or even explore expressive
possibilities of a Steinway, this is your chance! The
Schedule Check-in begins
at 8:30 am both Saturday and Sunday. We will work until 6:30 pm both
days.
A
Sample Day's Schedule:
| 9:00 am - 10:30
am |
O Passo class |
| 10:30 am - 12
noon |
2 Clinics - your choice of
topics |
| 12 noon - 1:30
pm |
Lunch, with
discussion about practice mindset |
| 1:30 pm - 2:30
pm |
Walk |
| 2:30 - 6:30 pm |
Piano lessons (with
observation) and practice |
| 7:00 pm |
Dinner
together |
Would you like to
read some great reasons to attend The Well-Balanced
Pianist? See what past participants
have to say.
Note:
No previous experience in the Taubman approach or Alexander Technique is
necessary for participation in this program. |
|
Students
say
"Susan
Nowicki is a superb musician and teacher. I worked with her retraining at
the piano for about two years and found that her knowledge of the principals of
the Taubman technique is deep and her ability to translate these principals
into practical, technical movements at the piano remarkable. She combines an
organized, patient approach to learning these complex yet essential movements
with a deep sense of the music being addressed and the practical experiences of
a seasoned performing artist. Susan was the essential hand which brought me
through new stages of control at the piano, when uncertainty, and fear
threatened to stagnate my developing new skills. I recommend her as a teacher
without reservation." Adrienne Sirken,
Pianist and Educator
"I gained a
tremendous amount of kinesthetic awareness of my body in its orientation to the
piano from my studies with Ariel Weiss. Her keen and specific direction
and focused determination to help me do what I love doing the most has helped
me play with more facility and unhampered energy. It was a great honor to work
with her, and I have the highest praise for the artistry with which she does
her essentially life-changing work."
Amy Yang Pianist, graduate student at The Yale School of Music,
graduates of The Curtis Institute of Music and The Juilliard School
"Before
studying with Teresa Dybvig, I had studied with several prominent
teachers of the Taubman Technique for nine years. Although I made some
progress, it was not until I started studying with Terry that my technique
finally came together... Terry helped me regain my proper posture and hand
shape... Terry not only was able to balance my body; her focus is always on
musical expression. She has a unique gift of balancing the teaching of
technical skills with the expression of music. I am finally beginning to be
where I want to be in my piano playing. I am convinced that this is due to
Terry's high quality teaching."
Thomas B. Stuart Accompanist and Collaborative Pianist
Read quotes from
anonymous evaluations! |
|